Eleni Smolen is an artist and former gallerist who moved to the Hudson Valley and opened a fine art gallery, TheoGanz Studio, on Main Street in Beacon, New York. After several years, she closed the brick and mortar gallery to re-engage more fully with her own art practice. She curates occasional special exhibitions at selected venues. In recent years these have included The imPerfect Poetics of Place; Hiro Ichikawa: Mountains and Rivers Without End/Paintings from a Trail and Still Still Moving. Unfolding Vision Leporellos and Corresponding Work Vol. 1 at The Lofts at Beacon Gallery is her most recent curatorial project in what is intended to be the first in a series on the subject of accordion-fold artist books.
The artist found her calling in her early forties when she moved from New York city to rural Southern Tier surrounded by dense woodlands, stone walls, abandoned apple orchards and a diversity of wildlife. After years of living and working in Brooklyn and Manhattan at various non-profits and corporations, including outpatient mental health centers and Brooklyn Hospital’s NICU, her dream was to move to the country. It was the solitude and quiet that first allowed her to paint large abstract work in a small upstairs bedroom of a little farmhouse at the top of a winding, dead-end dirt road. Living in the woods she had found her utopia.
Smolen is deeply connected to and concerned about the natural world. She ascribes to Edward O. Wilson’s concept of “biophilia,” the word he coined to describe humankind’s deep affinity for nature. The artist believes nature is, as Wilson describes it, “the refuge of the spirit, remote, static, richer even than imagination.”
The interdisciplinary artist responds emotionally and viscerally to events (personal, environmental, societal) and works through each experience through multiple riffs and variations. Series include the early, abstract paintings Biophilia, Dharma Rain and Persistent Song; the horse motif in Ridgeline and Wherever I Travel; the memorialized girl holding the bird in Girl by the Sea and Guardian Series; drawings from Bela Tarr’s film The Turin Horse; Surfacing; Trees; Whales & Flukes; Little Consolation Series and Sketches from the Forest, inspired by the August, 2023 visit to Haida Gwaii. Lightwall installations, sculpture, leporellos and photography round out the work.
The artist presently lives in Vancouver, B.C.'s West End with her husband.
August 2025
The artist found her calling in her early forties when she moved from New York city to rural Southern Tier surrounded by dense woodlands, stone walls, abandoned apple orchards and a diversity of wildlife. After years of living and working in Brooklyn and Manhattan at various non-profits and corporations, including outpatient mental health centers and Brooklyn Hospital’s NICU, her dream was to move to the country. It was the solitude and quiet that first allowed her to paint large abstract work in a small upstairs bedroom of a little farmhouse at the top of a winding, dead-end dirt road. Living in the woods she had found her utopia.
Smolen is deeply connected to and concerned about the natural world. She ascribes to Edward O. Wilson’s concept of “biophilia,” the word he coined to describe humankind’s deep affinity for nature. The artist believes nature is, as Wilson describes it, “the refuge of the spirit, remote, static, richer even than imagination.”
The interdisciplinary artist responds emotionally and viscerally to events (personal, environmental, societal) and works through each experience through multiple riffs and variations. Series include the early, abstract paintings Biophilia, Dharma Rain and Persistent Song; the horse motif in Ridgeline and Wherever I Travel; the memorialized girl holding the bird in Girl by the Sea and Guardian Series; drawings from Bela Tarr’s film The Turin Horse; Surfacing; Trees; Whales & Flukes; Little Consolation Series and Sketches from the Forest, inspired by the August, 2023 visit to Haida Gwaii. Lightwall installations, sculpture, leporellos and photography round out the work.
The artist presently lives in Vancouver, B.C.'s West End with her husband.
August 2025
